Digital notation software is designed so that composition is more achievable for people who lack in compositional training (Prairie, 2010). According to Sloboda (1985) (as sighted sited by Kennedy 1999, p.157), prior to the introduction of this software, composition was the “least studied and least understood of all musical processes”.
Source: http://elmhurstmusicacademy.com/music-programs.html
----------------------------------------------------------------------------------
Reference List:
Berkly, R.(2004). Teaching composing as creative problem solving: Conceptualising composing pedagogy. B.J Music Ed, 21(3), 239-263. Retrieved March 16, 2010, from Cambridge University Press database.
Kennedy, M.A., (1999). Where does the music come from? A comparison case- study of the compositional processes of a high school and a collegiate composer. B.J Music Ed, 16(2), 157-177. Retrieved March 20, 2010, from Cambridge University Press database.
Major, M.E., (2007). Talking about composing in secondary school music lessons.B.J Music Ed, 24(2), 165-178. Retrieved March 16, from Cambridge University Press database.
Prairie, E. Timesavers: Making the best use of your time. (2010). Retrieved March 22, 2010, from http://www.finalemusic.com/Finale/Features/Timesavers/default.aspx.
Seddon, F.A. (2006). Collaborative computer-mediated music composition in cyberspace. B.J Music Ed, 23(3), 273-283. Retrieved March 16, 2010, from Cambridge University Press database.